Online Exhibits@Yale

Browse Exhibits (24 total)

Medicine in World War I

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In commemoration of the centennial of America's entry into World War I in April 1917 through to the Armistice in November 1918, partner institutions contributing to the Medical HeritageLibrary have developed this collaborative online exhibit on medicine, surgery, and nursing in the war, with texts and images drawn fromthe digital corpus of the MHL. A significant amount of professional medical and surgical literature was produced even as the conflict continued to rage, and many personal narratives of physicians and nurses and histories of hospitals and army medical units were also published in... Read more

Not Reading in Early Modern England

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We think of skimming, scanning, and study aids as the particular intellectual malaise of the internet age, but early modern commentators also worried that tools to faciliate discontinuous reading might enable unacceptable laziness and failures of readerly attention. John Milton complained in 1644 of clergymen who composed sermons with the “infinit helps of interlinearies, breviaries, synopses, and other loitering gear.” Cribs and commonplace books, wrote John Selden in 1618, are "excellent instruments for the advancement of Ignorance and Lazinesse." Others were concerned that people... Read more

A Riff on Ruff: Yale’s Jazz Ambassador to the World

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Since June 2016, the Gilmore Music Library has been undergoing renovations, and our exhibit program has been on hold. With the inaugural exhibit in our brand-new display cases, we are delighted to honor the 85th birthday of Prof. Willie Ruff of the Yale School of Music. A world-class musician on two instruments (horn and bass), a multifaceted researcher, a well-connected impresario, and polyglot world traveler; a Yale alumnus and professor; and a long-time friend of the library, Ruff is truly one of a kind. The exhibit features a variety of items, including photographs, sound recordings,... Read more

“Tomorrow’s Overture is Always Best”: The Music of Kay Swift

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“Tomorrow’s overture is always best, no codas for me—I’m a no-stalgia gal.” —Kay Swift, 1975 Reflecting on her lack of "no-stalgia" at age 78, composer Kay Swift (1897–1993) aptly summarized a long and prolific career in music. In addition to being the first woman to compose the complete score of a successful Broadway musical (Fine and Dandy—1930), Swift wrote music for one of George Balanchine’s first American ballets (Alma Mater—1934), served as a staff composer at Radio City Music Hall, and continued to compose works for stage, screen, and concert hall through to her... Read more